Jocelyn Suzanne Kuritsky is an actor and a producer. She is a three-time Princess Grace Award nominated performer, and a founder and the actor-in-residence of the Drama Desk Award nominated & Lucille Lortel Award winning immersive theater company, Woodshed Collective. Jocelyn is also the creator of The Muse Project, dedicated to empowering women theater actors.
Photo by Jody Christopherson.
Onstage, Jocelyn mostly works on new plays and new theatrical forms; and, as a performer, she has become a favorite among New York's downtown theater stalwarts, often portraying intense, fragile, and feral characters. Papermag calls her an "outstanding actor." She has appeared in more than 20 NYC productions, including multiple premieres and appearances with companies like the Obie Award winning collective, 13 Playwrights, and the Drama Desk & Obie Award winning experimental staple, The Flea Theater. She has also appeared in countless readings and workshops with lauded organizations ranging from The Bushwick Starr to Ensemble Studio Theater's Youngblood to Soho Rep., among many others; and, as the resident performer of Woodshed Collective, she regularly acts in Woodshed's shows and presentations. Regionally, Jocelyn has performed in developmental works by various established and emerging playwrights, predominantly in Washington, D.C., at notable theaters such as Arena Stage and The Kennedy Center, as well as the Helen Hayes Award winning company, Theater Alliance.
Jocelyn and Matt roi Berger in Sheila Callaghan's Crawl, Fade to White for 13P. Photo by Jim Baldassare.
Onscreen, her new media, television, and film appearances include A Little Dream (prod. Tim Harms); Chisa Hutchinson's Domesticity, directed by Rebecca Atkinson-Lord (2017 Discover.film Awards Best Micro Drama); Neil LaBute’s Over The River and Through The Woods, directed by Leigh Silverman, with an original score by Heidi Rodewald; Nana Mensah’s Queen of Glory; and Ghazi Albuliwi’s Peace After Marriage (Montpellier Mediterranean Film Festival Audience Award).
Her voice work resides in audio drama. She is currently featured in two pieces produced by Play For Voices, a podcast featuring international plays; and she is the voice of the Grand Cuspid in The Fall Of The House Of Sunshine, a serialized comedy musical podcast (listed in The Sunday Times’s “100 of the Best Podcasts to Listen to in 2019”).
Her voice work resides in audio drama. She is currently featured in two pieces produced by Play For Voices, a podcast featuring international plays; and she is the voice of the Grand Cuspid in The Fall Of The House Of Sunshine, a serialized comedy musical podcast (listed in The Sunday Times’s “100 of the Best Podcasts to Listen to in 2019”).
Jocelyn & Leigh Silverman in pre production for Over The River & Through The Woods. Photo by Anna Rooney.
As a producer, Jocelyn has co-conceived several immersive productions with Woodshed Collective, including the Broadway bound musical KPop, Empire Travel Agency, The Tenant, The Confidence Man, and 12 Ophelias. She helms The Muse Project, an incubator that moves women actors to the center by charging them to identify and generate the roles they want to play. With The Muse Project she initiated, developed, and starred in Stet, a play in which a young journalist is assigned to write about sexual assault on college campuses. Stet, written by Kim Davies and directed by Tony Speciale, premiered at Abingdon Theatre Company in the 2015/16 season, and it enjoyed a successful, extended, Off-Broadway run. In 2018, Jocelyn produced a collection of new, actress-led work for Muse at The Flea Theater with performers Lynn Cohen, Jessica Frances Dukes, Kyra Miller, Déa Julien, and Vanessa Aspillaga. Jocelyn is also the founder of Staging Film, an ongoing, experimental project that is designed to meld the stage and screen. Staging Film is currently partnered with The Tank.
Jocelyn has worked with singer-songwriter and composer Duncan Sheik on a variety of projects, including Woodshed's The Tenant. She is a New Group artist, and she is affiliated with a variety of Off and Off-Off Broadway companies.
Jocelyn has worked with singer-songwriter and composer Duncan Sheik on a variety of projects, including Woodshed's The Tenant. She is a New Group artist, and she is affiliated with a variety of Off and Off-Off Broadway companies.
Woodshed Collective at the West Park Presbyterian Church. Photo by Guy Calaf for The New York Times.
Outside of her acting and producing life, Jocelyn teaches, assists, and designs. She has taught language and literacy in low and moderate income communities at a variety of organizations, including Make The Road NY, New York Communities for Change, and LaGuardia Community College. She has guest instructed students in theater at Rutgers University for playwright Caridad Svich and she regularly mentors theater students at the Playwrights Horizons Theater School (NYU). Jocelyn has been a director's assistant to Trip Cullman, Kip Fagan, Ian Morgan, John Gould Rubin, among others; and she occasionally personally assists the highly renowned Elaine May, and formerly worked for the legendary Stanley Donen. She designs websites for artists, creatives, entrepreneurs, and corporate professionals as often as she can.
Jocelyn was born in Albuquerque, New Mexico and raised in La Paz, Bolivia and Atlanta, Georgia. She studied at Scripps College (The Women's College) in Claremont, California. She has received additional training from the O'Neill National Theater Institute, the American Academy of Dramatic Arts-Los Angeles, and The Flea Theater. She is a member of SAG-AFTRA, AEA, and UFT.
Jocelyn at a benefit event for Woodshed Collective. Photo by Anna Rooney.